The temple complex sits on the banks of a river that was
channelled to make a moat around the complex's outer walls, the walls being
built like a fortress. The complex is made up of many structures that are
aligned axially. The complex can be entered either on one axis through a
five-story gopuram or with a second access directly to the huge main quadrangle
through a smaller free-standing gopuram. The massive size of the main Vimanam
(Shikhara) is ca. 60 meters high, with 16 elaborately articulated stories, and
dominates the main quadrangle. Pilaster, piers, and attached columns are placed
rhythmically covering every surface of the Vimanam.
One of the gopurams
The gopuram of the main entrance is 30 m high, smaller than
the vimana. It is unusual in the dravidian architecture where the gopurams are
generally the main towers and taller than the vimana.[16]
Main temple
This picture was taken from the left corner of the temple
(behind the temple). The staircase which is small in picture will lead you to
darshan of God Dakshinamurthy.
A first rectangular surrounding wall, 270 m by 140 m, marks
the outer boundary. The main temple is in the center of the spacious quadrangle
composed of a sanctuary, a Nandi, a pillared hall and an assembly hall
(mandapas), and many sub-shrines. The most important part of the temple is the
inner mandapa which is surrounded by massive walls that are divided into levels
by sharply cut sculptures and pilasters providing deep bays and recesses. Each
side of the sanctuary has a bay emphasising the principle cult icons. The
karuvarai, a Tamil word meaning the interior of the sanctum sanctorum, is the
inner most sanctum and focus of the temple where an image of the primary deity,
Shiva, resides. Inside is a huge stone linga. The word Karuvarai means
"womb chamber" from Tamil word karu for foetus. Only priests are
allowed to enter this inner-most chamber.
In the Dravida style, the Karuvarai takes the form of a
miniature vimana with other features exclusive to southern Indian temple
architecture such as the inner wall together with the outer wall creating a
pradakshina around the garbhagriha for circumambulation (pradakshina). The
entrance is highly decorated. The inside chamber housing the image of the god
is the sanctum sanctorum, the garbhagriha.The garbhagriha is square and sits on
a plinth, its location calculated to be a point of total equilibrium and
harmony as it is representative of a microcosm of the universe. In the center
is placed the image of the deity. The royal bathing-hall where Rajaraja the
great gave gifts is to the east of the hall of Irumudi-Soran.
The circumambulation winds around the massive lingam in the
garbhagriha and is repeated in an upper story, presenting the idea that Chola
Empire freely offered access to the gods.
The inner mandapa leads out to a rectangular mandapa and
then to a twenty-columned porch with three staircases leading down. Sharing the
same stone plinth is a small open mandapa dedicated to Nandi, Shiva's sacred
bull mount.
The link below shows a predicted construction method involved in the great monumental structure, “Thanjavur Brihadeeswarar temple”.
ReplyDeletehttps://www.youtube.com/watch?v=gJKM71NZ7W8